A 'case in point' video, in which I examine a single scene from a classic film to illustrate sound execution of a cinematic principle. This one features Peter Yates' Bullitt to explore subtext as presented in visual elements and dialogue.
Disclaimers: I am not a film scholar and am presenting only my own observations, for what they're worth. While I hope some may find my insights interesting, I do not claim they are definitive or exhaustive.
See "Metropolis: Cinematography - A Case In Point here:
Peeping Tom: Theme - A Case In Point here:
See my Strangers On A Train video here:
Check out my movie reviews on Letterboxd:
This is intended for viewers who are familiar with the film, but if spoilers are not a deterrent, it is not necessary to have seen the movie to follow this video.
All clips taken from Bullitt (1968)
This video was made for the purpose of film appreciation/criticism and I believe these contents fall under fair use IP laws.

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