Strength Lies in The Ability - Aamir Khan

Thought inspiration is a form of divine inspiration in which revelation
takes place in the mind of the writer, as opposed to verbal inspiration,
in which the word of God is communicated directly to the writer. The
theologian George La Piana claims that after 19th century advancements
in philological and historical criticism showed sacred books of
different religions to be similar in form and content, the "theological
doctrine of biblical inspiration which had put these books in a class by
themselves underwent a rapid change, from 'verbal inspiration' to
'thought inspiration' and from 'thought inspiration' to a vague 'moral
inspiration,' such as could be attributed to many a book of ancient
philosophy or poetry."

IInspiration (from the Latin inspirare, meaning "to breathe into") is an
unconscious burst of creativity in a literary, musical, or other
artistic endeavour. The concept has origins in both Hellenism and
Hebraism. The Greeks believed that inspiration or "enthusiasm" came from
the muses, as well as the gods Apollo and Dionysus. Similarly, in the
Ancient Norse religions, inspiration derives from the gods, such as
Odin. Inspiration is also a divine matter in Hebrew poetics. In the Book
of Amos the prophet speaks of being overwhelmed by God's voice and
compelled to speak. In Christianity, inspiration is a gift of the Holy
Spirit.

In the 18th century philosopher John Locke proposed a model of the human
mind in which ideas associate or resonate with one another in the mind.
In the 19th century, Romantic poets such as Coleridge and Shelley
believed that inspiration came to a poet because the poet was attuned to
the (divine or mystical) "winds" and because the soul of the poet was
able to receive such visions. In the early 20th century, Psychoanalyst
Sigmund Freud believed himself to have located inspiration in the inner
psyche of the artist. Psychiatrist Carl Gustav Jung's theory of
inspiration suggests that an artist is one who was attuned to racial
memory, which encoded the archetypes of the human mind.

The Marxist theory of art sees it as the expression of the friction
between economic base and economic superstructural positions, or as an
unaware dialog of competing ideologies, or as an exploitation of a
"fissure" in the ruling class's ideology. In modern psychology
inspiration is not frequently studied, but it is generally seen as an
entirely internal process.

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