For the best results please include the date and file reference number found at the end of every video title. My website is shared (top left corner) in the last 20 seconds of the video.
To Receive Notifications, turn on notifications on your settings & click the bell near subscribe.
If you enjoy my art, the processes, or my efforts in general, your thumbs up are immensely appreciated!
To shop materials without any additional cost to you available visit:
Please assist me to continue making video tutorials and buy supplies by contributing here:
To donate to help the studio/be a Patron go here
This helps make my studio usable for an indoor working/teaching/gallery space.
I am using a 16" x 20" stretched canvas. All the paints I use including the DecoArt White Satin enamel in this video are acrylic paints mixed with additives to help them flow more easily. I layer the satin enamel between layers of colors. All my colors are stored and mixed in squeeze bottles for ease of use. I add a base layer of black paint and use the DecoArt white Satin enamel to make a puddle in the center to which I add overlapping ribbons from my cream pitcher. I change the shapes of the ribbons or rings I add. I tilt the large spreading puddle of pint almost to the edge of the canvas. I get out an edge catcher to help salvage any paint I might want to allow to be poured off and use it to catch any paint as I tilt the canvas vertically. I add dollops of paint after most of what I began with spread , the dollops spread in a different direction when I tilt and I like the effect. I also add paint onto a balloon and roll it across the picture in various places changing the composition.I expose new colors by just blowing down into the heavy paint.I am extremely pleased with this first result! I use a propane torch is cautiously passed over the surface of the canvas to release any air in the paint that might result in bubbles forming while the artwork dries or leaving pockmarks if left to pop on their own. Warming the paint will also often encourage patterns to emerge because the paint in combination with the Floetrol used in my pouring mix encourages cells to form.
My "pouring" mixture or "recipe" is simple and starts with 2 parts (estimated) GAC800 from "Golden" added into any acrylic paint color 8 parts (amounts are always estimated). This starts the mixing process. Mix the paint and GAC thoroughly. Next, I add my mixed Floetrol and (half) Deco-Art pouring medium. (Shake it first every time!)The truth is, lately, that's my go-to. I add the same (or more) ounces as the first two ingredients and mix everything thoroughly. The consistency is usually medium "body" weight, but other weights are usable with minor adjustments.
To mix, if you use squeeze bottles as I do, add a glass marble and shake your paints every time before you use them. All my acrylic paints are mixed in advance and contained and stored in squeeze bottles. If you are not using squeeze bottles, I suggest using a container that has a lid. I have often used the 4oz size plastic deli containers, and the paint keeps for a long time in them, but you still will have to stir before using the mix again because the Floetrol and other flow agents will rise to the top between uses. None of my acrylic paint has any added silicone. To create the pearlescent effects seen in most of my artworks, I use "Golden's" Iridescent pearl "Fine" added to colors. By "eye" until I am pleased with what I see.
Every day I learn new things. I will never stop experimenting, and I am happy to share what I discover with you.
To see finished wet and dry versions of all my Youtube demonstration artworks for sale, visit my Expressionist Art Studio Gallery Fans and Collectors group on Facebook
#6446 wet, shown in this video.
Find My Pinterest Boards:
Find me on Instagram:
Find me on Twitter:
0 Comments